Monday, April 13, 2026

How can you commemorate a war when another war is happening

Artwork by Tarek Chemaly - Fargo is the brand of the Ain el Roumeh bus - the above is an exhibition I held for the 33rd commemoration of the war in 2015

Today is the commemoration of the official start of the 1975-1990 war. I say official because honestly the country was on a verge of eruption since time immemorial. But I digress. My problem is elsewhere: How can we commemorate the past when the present is still perpetuating it. Or to quote William Faulkner, "The past is never dead. It's not even past" - especially in a Lebanon divided on fictional and real faultlines.
And today is Easter Monday for the Orthodox Christians, so a supposedly holiday. A holiday from what I know not. And the original Ain El Roumaneh bus was according to legend, sold and eventually rotting somewhere in the south. But this is a detail, our collective memory is still alive and kicking. Our war reflexes too.
I already said this story before. but I am repeating it. The context is still too fresh.
Published October 1rst, 2013:
War is not over. It's a fact. It will never be. Today, in a slip of a tongue my mother said "in case I have to flee" - an awkward small sentence that could have gone unnoticed. But she said it, did not pay attention to it, and went on. But for me there was a sudden freeze frame. The exact word she said was "ehrob" - a word which could be interpreted as "run away", "flee", "save myself".
There she was, a woman secure financially, surrounded by her family in more ways than one, whose tasks have been brought down to a minimum which keeps her mentally and physically active without anything that might overburden her old age. And - subconsciously - she is still stuck in a loop. A loop that should have been finished since 1990 when the "Lebanese civil war" ended.
My first reflex was one of upset - where was she going to run flee? why would she?... And frankly, there was this cynic dismissal, whereas I did not articulate it, I surely thought it. But as I composed myself, I sat there thinking about it. In many ways, she is just a specimen of a generation. They're the ones who explored the Automatique cafe (Idriss) in downtown Beirut, the heyday of the supposed "Paris of the Orient" (what a fallacy!) and they are the ones who have had the dream of normalcy shattered - even if the war had been brewing for a long time under the champagne bubbles of the Phoenicia Hotel before it eventually exploded in 1975.
What struck me the most, was how similar she and I are. What I first dismissed as an outmoded reflex, soon dawned on me how ingrained it is in all of us. I was born on the onset of the war, and so this Capharnaum was all I knew. It was fun in a macabre way, but it was also the only paradigm and frame of reference. Not only this, in 2006, I got stuck in the US during the war which had erupted in my absence. A trip that was supposed to last two weeks ended up being two months long.
And it was those war reflexes that saved me. Whereas everyone around me was panicking as to these swift transitions, I was already doing mental checklists - something you have to do in times of war - organizing things so very efficiently and taking all emotional components out the equation. Naturally, it's when the anomaly of such situations subsides that you feel the full blow and when the psychological aftermath starts. But when you are still in your adrenalin rush, it all feels so peaceful, so normal dare I say.
And now I realize why my travel carry on luggage is almost set to go despite the fact that it has been a while since I traveled. In that luggage I keep - for reasons obscure to myself until now - a minimum survival kit: Anything from a good pair of jeans, to a change of shirts and socks, some cash and even a travel nail kit.
After all... What if I have to "ehrob" myself?