As per Dezeen: "Every element of the landscape of Palestine tells a story of intervention, production, culture, environment and commerce," said the architects. "Embedded in its terraces is this rich and very particular history."
"The approach to the Palestinian Museum design was to draw on this history, placing the museum building into its immediate site, yet drawing from this site to tell a larger story of a highly diverse culture."
Covering an area of 3,500 square meters, the museum contains exhibition spaces, an open-air amphitheater, indoor and outdoor cafes, classrooms, offices and storage areas.
In an article dating back to 2016 in The Guardian starts of by praising the architecture as such:
"The building has a powerful presence, at once defensive and welcoming, robust and permeable, channeling a sense of the region without resorting to the Islamic pastiche of pointed arches and turrets favored by the nearby university campus. A sequence of spaces that somehow evoke the dense urban forms of Palestinian towns squeeze you through narrow passages and tapering stairs, opening out into lofty halls where the angular geometry soars skywards."
But as with everything in the region the adventure was not without turmoil: In 2015 the institution's director Jack Persekian resigned and his opening show was cancelled. And of course travel restrictions by the Israelis do not make things any simple.
The Guardian goes on with this gem:
“We had so many headaches,” says Feras Tubaila, one of the main contractors responsible for what aims to be Palestine’s first LEED-certified green building – quite a feat in a context where most buildings have neither heating nor insulation. Austrian fire exit signs were rejected by the Israeli authorities, an English waterproofing system mysteriously doubled in price on import, while an Israeli supplier had to be smuggled on to site in secret to install a sliding door. The Jordanian landscape architect still hasn’t managed to get a visa to come here. “FaceTime meetings have been invaluable,” says architect Róisín Heneghan. “Thankfully, the Wi-Fi stretches to the garden.”
So it is indeed a pseudo-miracle the museum got constructed and is now even shortlisted for such a prestigious award!